Every one of van Weeghel’s compositions is a complex CAD (computer-aided design) based mobile work, which is characterised by a series of elements placed at the forefront of a large canvas and frame. The elements are typically metal and are attached to a mechanism at the back of the construction, which allow them to move together constantly, creating a continuous and unique pattern every time. The motifs that are formed are abstract in nature although they do call into question the attributes of positive and negative space, meaning the shapes that they create in the mind’s eye, in contrast to the rest of the space surrounding them.
Kinetic art was initially developed as an artform in the early 20th century, as witnessed by the various sculptural works of Vladimir Tatlin, Alexander Rodchenko, and Alexander Calder, the latter being the most famous representative of it. Essentially kinetic art is any medium that incorporates dynamic moving elements that are perceivable by the viewer.
Van Weeghel, however, manages to elevate kinetic artform within his works by incorporating technological advancements previously unseen within the art world: integrated computerised mechanisms which are hidden away from the viewer. The artist has stated that he has purposefully concealed the electronic components, as he views them as merely instrumental in achieving what he really wants: an attempt to visualize the passage of time.